"This five-minute short, Solo, Piano – N.Y.C, by New York-based filmmaker Anthony Sherin caught my attention a few weeks ago, and I haven’t been able to purge the images from my mind since. To me, Sherin’s piece, and the Op-Docs series as a whole, is the perfect way to tell a story online. These short films are both intimate and personal and offer glimpses of everyday life that we would otherwise not be privy to. In other words, they’re the very antithesis of big-budget, commercial filmmaking.
Sherin discusses Solo, Piano – N.Y.C in more detail on the Times website:
“Making this film was pure serendipity. After a January snowstorm in New York City, I decided to do some work on another film, in my home in Washington Heights. But as I approached my desk, I thought I heard a piano plinking. I looked out the window and saw a piano on the curb below. I was mesmerized by the pattern that emerged. Passers-by would slow, stop and play. Some played well. All day long they collected and dispersed, and into the night they measured, shoved and deliberated the piano’s fate. (If it stayed on the sidewalk, the city could have issued a fine.) I was riveted. Pianos have histories. No one who stopped seemed eager to leave it behind. Their thoughts were obvious: Can we take it? Who abandons a piano? Is it worth anything?
I eventually started snapping stills and thought I would end up with just that — a lot of stills. To my surprise, I discovered after 24 hours that I had captured a story with a beginning, middle and end. My friend Art Labriola created an original piano score, and I had a film. It has screened at several festivals, and I’m pleased to share it with the world on Op-Docs.”
This quiet, poignant piece of storytelling has haunted me since I saw it. (You have watch the entire five-minute film to understand the narrative arc, so don’t abandon Sherin’s piece too soon.) I hope you find Solo, Piano – N.Y.C. as moving as I did."
Hope you have a pleasant Sunday as this old year is drawing to a close...